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The television film festival took place a month ago Televisionale instead: in a new location – Weimar instead of Baden-Baden. This was the only ARD Sunday evening crime thriller that had already been broadcast
mediocre Cologne Crime scene-Consequence
Colonius to the nominated films, which raises doubts about the expertise in the pre-selection of more beautiful and skilful ones Crime scene– and Police call-Film.
Won has Colonius nothing.
At the Televisionale was also discussedHow This is what happens in the East when producing German television filmswhat also the Network Quote-East busy. Because quotation discussions can quickly become unobjective (“it’s all about quality”), it’s important to emphasize that, let’s say, the Erzgebirge crime thriller
can of course be dominated by West German productions in the crucial directing and script departments. The happens yes all the time, while, conversely, East German creatives, to compensate, do not disproportionately contribute to, let’s say, Taunus crime thriller are represented. What to do?
The new Dresden Crime sceneUnfortunately, episode doesn’t know the answer. Although there is Nightshade (last MDR editorial team: Sven Döbler) not only Martin Brambach’s district manager Schnabel as a figure who dialectically locates the crime story where it takes place. More specifically Dresden or East German reality cannot be expected. This could have something to do with the fact that the direction and script in the 20 episodes so far are also in Dresden are mainly occupied by West Germans and are correspondingly distant from the experiences at the location.
For Nightshade Screenwriter Viola MJ Schmidt (The School of Magical Animals 1-3) made up a story reminiscent of the fall of Natasha Kampusch remembered. 16-year-old Amanda (played by 26-year-old Emilie Neumeister) runs confused through Dresden at night before she is picked up and tells Inspector Winkler (Cornelia Gröschel) an adventurous story. Her dad would lock her up and her sister Jana, who was the same age, because the world was an evil and dangerous place.
A bold choice for one Crime scenebecause wrong genre: The story of Kampusch like that by the Turpin siblings in the USA is more of a thriller than a crime story. The years of horror of being held captive only becomes visible in retrospect in the exhilarating moment of emancipation – a long-term and secretly planned escape.
In Nightshade The escaped Amanda, on the other hand, is not allowed to be happy, but has to act “disturbed” because otherwise the film would immediately end again. So he uses it Crime scene its first half uninspired on the disagreement between Winkler and Schnabel as to whether Amanda’s story is the alarming truth or fantasy.
Things don’t get any more exciting when you find out at the end that Amanda has never seen either sister or father and has fallen for a fairy tale told by her mother (Nina Kunzendorf). The feeling of deception is even greater for the viewer because the montage (Andreas Baltschun) had previously suggested that Jana exists – images with a young, pale woman from the basement, which, as we later learn, turn out to be flashbacks with Amanda.
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